![]() So when ABC announced its intention to create a new show based on the 2013 memoir of celebrity chef and TV and Internet personality, Eddie Huang, audiences hoped the writers and producers would not repeat the same mistakes they made with All-American Girl. Asian-Americans rejected it because of its stereotypical portrayal of Korean characters and because they claimed it didn’t accurately reflect their own experiences as a minority in this country the general population rejected it because it wasn’t all that funny. Cho was famous for discussing topics like racism, sexuality, and politics honestly and often crudely, but the show was flat and predictable and safe. ![]() Although Cho’s standup supposedly served as inspiration for its plotlines and jokes, All-American Girl incorporated none of her edgy, provocative brand of comedy. ![]() In early February, entertainment critics and the Asian-American community alike eagerly anticipated the pilot episode, holding their collective breathe to see how this show would depict a minority that remains largely unrepresented by the media.Īll-American Girl, a 1994 sitcom starring comedian Margaret Cho, about a Korean-American family living in San Francisco, marks the last time a television network attempted to create a show featuring Asian-Americans as main characters. Conflicts are ultimately wrapped up neatly with a tidy resolution and a positive message.īut the show departs from expected sitcom tropes in one crucial aspect, groundbreaking because it hasn’t happened for two decades: Fresh Off the Boat is a sitcom about Asian-Americans. Every episode touches on thematic problems that lead to lessons learned. It employs a breezy narrative pace and a light, inoffensive sense of humor. The show chronicles the misadventures of a dysfunctional yet loveable family. In many, obvious ways, Fresh Off the Boat is just like any other sitcom on network television.
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